Inspired by real events, Emilienne Flagothier rewrites these daily stories of violence against women. The artist experiments by creating a space where the relationships are reversed.
An empty space, a door. Four characters. They seem stuck, without really knowing why, or how to escape.
It is a state of current society, a gauge of testicle theatre, grotesque, with a question. How far can hideous men go in the process of dehumanization in the intimate sphere?
Pippo Delbono met Bobò in 1995 at the psychiatric hospital of Aversa. A born actor who could neither read, write nor speak, and who has since died.
WEG works on the progressive disruption of the choreographic phrase of each dancer resulting in a cacophony of uninhibited gestures and attitudes.
Let the stage to take over the city; let the city to take over the stage.
