How can you be in the world if the world makes you invisible or pushes you aside?
These hybrid beings, these cyborg-centauresses launch an assault on the break-up, in all its forms, as a necessary act of change.
Italy, the late 1990s. Olga, a 40-year-old woman with two children, is a devoted mother and wife. One day, her husband leaves her. Everything has to be rebuilt, starting with language.
Somewhere between dream and reality, Le Garage inventé celebrates the power of fiction with a world woven from the weird and wonderful.
Juggling, acrobatics, dance, BMX riding and club throwing come together in a show bursting with volcanic energy.
Political and artistic, festive and subversive, the Festival des Libertés mobilizes all forms of expression to bear witness to the state of rights and freedoms, to incite resistance, and to promote solidarity.
In this unique one-woman show, Laurène Marx tells her story as a trans woman. She presents the questions that society raises about the experience of people who are trying to escape a binary model.
Nikki lives in a house that doesn’t exist. Inside the house that doesn’t exist, we find Madame Monstre, Les Tout Petits and Nuage le Nuage. Not so long ago, (…)
Every year, Dorcy Rugamba returns to his family home in Kigali, to the ivy covering the walls, the callas and anthuriums on the terrace, the palm and papaya (…)
Scènes nouvelles shares what inspires the strong and singular work of French-speaking Belgian artists.
The story of an only daughter of Moroccan parents on the streets of Brussels, among her ‘brothers’.
Stricken with mal de vivre, a number of individuals end up within the walls of an ageing institution, L’Avenir.
A powerful text and eloquent bodies make up a diptych in which finely articulated words precede and combine with robust physicality.
Inherently popular and playful, their cardboard cabaret reveals the strength and magic of this ephemeral art form as well as its poetic delicacy.
In an attempt to rebuild his relationship with his disabled body, Dan Daw thumbs his nose at the shame with which he grew up.
A mythical dance that takes its name from the figure of Shakespeare’s young hero in a chorus of singularities.
For its 42nd edition, Festival Noël au théâtre will be taking up residence in the Brussels region from 26 to 30 December 2024 thanks to the support of a doz (…)
Émilienne Flagothier and her fellow actresses orchestrate a cathartic response to the sexist micro-aggressions that punctuate women’s daily lives.
An odyssey where slam, rap and krump come together to create a dialogue between all the strata of urban life.
On this piece of land, fiction and theatre serve as a mirror and an eye-opener for the Prince of Denmark.
Four centuries separate them, but a bottle of booze brings them together.
A euphoric cocktail that mixes intimacy and fragility with tenacity.
In a performance that blends music and dance and intertwines politics and rituals, Zora Snake tackles the subject of the restitution of ritual objects considered to be works of art that were stolen during the colonial period.
From screen to stage, Lola Arias tells the poignant story of women and transgender people incarcerated in Buenos Aires, for whom music is a source of deliverance and redemption.
Sound, materials and bodies come together to create a succession of dreamlike landscapes that choreographer Eszter Salamon calls ‘dynamic monochromes’.
MàD, like Mots à Défendre – mad, outsider, hybrid, daring and festive. MàD, like the cross-disciplinary festival that speaks to us!
With a great deal of self-mockery, she shares her intimate confessions – which are packed with delicious anecdotes – with the audience in a frank and direct way.
Anima unfolds across three giant screens showing landscapes in perpetual mutation.
What do our first and last names say about us? What is our name the name of?
The staging strikes a delicate balancing act, orchestrating a profound reflection on the nature of art and the way in which it shapes our lives.
Let’s pretend we’re ten years old. Let’s pretend we met then, to play, confide in each other and dream big.
Faced with the finitude of our existence and of the entire universe, finding meaning for Simon Thomas seems only possible in art and games.
In this age of female liberation, Michael De Cock and Carme Portaceli transform Emma Bovary into a heroine of emancipation.
To show and hear true or imagined stories that all have something to say about our world.
With the Sainte-Gertrude art centre, the theatre expands to include the city and the world, the endless world of artistic languages, creating an opening in the life of places that are seen as enclosed spaces.
How do we inhabit the institution? And how does it inhabit us? How does a body enter the institution? Can it leave it?
Her shows are always scores for large groups and energetically bring out the power of the collective.
