“put your heart under your feet… and walk!”
Steven Cohen
The moving requiem offered by Steven Cohen ventures into the realm of mourning, offering himself to his lost love as a living burial.
The moving requiem offered by Steven Cohen ventures into the realm of mourning, offering himself to his lost love as a living burial.
In a post-apocalyptic setting the pulsation seizes the dancers to do justice to the anger, to the revolt.
L’après-midi d’un foehn Version 1 invites us to wonder, before what is impalpable and brilliantly tamed in a performance/installation, as if it were pieces of matter:
This timeless tableau of adolescence, as poisonous as it is dreamy, with saturated romanticism in a form of flamboyant camera, still dazzles.
A sensitive portrait enriched by the sublime melancholy of the musical compositions of Belgian author/composer An Pierlé.
The invitation to travel through texts to find the Théâtre National in all its states, to follow the voices on every level. Crossover projects, unabashed in their hybridity, will thus find their place
Inspired by real events, Emilienne Flagothier rewrites these daily stories of violence against women. The artist experiments by creating a space where the relationships are reversed.
An empty space, a door. Four characters. They seem stuck, without really knowing why, or how to escape.
It is a state of current society, a gauge of testicle theatre, grotesque, with a question. How far can hideous men go in the process of dehumanization in the intimate sphere?
Pippo Delbono met Bobò in 1995 at the psychiatric hospital of Aversa. A born actor who could neither read, write nor speak, and who has since died.
WEG works on the progressive disruption of the choreographic phrase of each dancer resulting in a cacophony of uninhibited gestures and attitudes.
Let the stage to take over the city; let the city to take over the stage.
In a human approach, Gaia Saitta, invites spectators to accompany her, giving substance to the story, to Irina’s emotions.
Angela (a strange loop) takes us on a deep dive into the phenomenological question of identity and consciousness.
Léa Drouet gradually conjures up without ever showing it directly this absent point of the child who insists while escaping.
In this new creation, Anne Teresa De Keersmaeker’s exploration of the relationship between music and dance shifts back towards the genre of pop. Pop music invites us to dance.