In November, the Théâtre National Wallonie-Bruxelles becomes Scènes nouvelles, the annual meeting place for audiences and professionals, both Belgian and international, to discover the best creations of emerging artists in the Wallonia-Brussels Federation.
What’s on the mind of Belgian artists? What does their future seem to be leading? The Théâtre National helps to highlight and to share what irrigates emerging French-speaking Belgian creation: strong, radical hybridization. In such a way that it is not simply a flash in the pan but instead that it be long-lasting, by presenting on its our stages, new works that are (too little) seen in Brussels and Wallonia, by co-constructing the programming with one or more friendly partners, and more broadly by strengthening the cultural and artistic network which territorializes and disorients, at the same time, in other places, from other centres, such as for this season the Théâtre Varia, a Centre dramatique of the Wallonia-Brussels Federation.
The Théâtre National is ready to initiate this transformation, to seize a new ethic of the relationship head-on.
With the support of Wallonie-Bruxelles International, Wallonie-Bruxelles Théâtre / Danse
18:00 Au jardin des potiniers
19:00 Outrage pour bonne fortune
19:00 Le Jardin
19:30 Angles morts
19:45 Au jardin des potiniers
21:15 Blind
15:00 Outrage pour bonne fortune
15:30 Au jardin des potiniers
17:30 Au jardin des potiniers
19:00 Blind
20:00 Au jardin des potiniers
20:30 Le Jardin
20:45 Angles morts
14:00 Au jardin des potiniers
15:45 Au jardin des potiniers
18:00 Outrage pour bonne fortune
18:30 Au jardin des potiniers
19:30 La Grotte
20:00 groove
21:30 Garcimore est mort
14:00 Au jardin des potiniers
15:00 La Grotte
15:30 groove
16:45 Garcimore est mort
Blind denounces the conscious and unconscious blindness of citizens, fed by a system that generates unattainable desires.
Congo where she comes from, Belgium where she lives. Joëlle Sambi sweeps away the blind spots between these two worlds, doubts, commitment, family, etc.
On a piece of land, a band of fanatics sees its existence shaken by the return of one of their own, Marie, who is pregnant and thinks she is the Virgin.
A story of atheistic and angry ghosts, not having planned to die so quickly who decide to stay on the side of the living, who in this case are already withdrawn from the world, their eyes on eternity.
It is on a miniature scale that the magic happens, everyone observes this world from their own perspective as it evolves a few centimeters from their face.
Rokia Bamba is a sound explorer, an artivist and a purveyor of rhythmic energy, using her turntables to make bodies and souls dance in joyous, socially-conscious celebrations.
Between the sharp, metallic sounds close to the glitch aesthetic, Soa Ratsifandrihana dances and invites us to listen.
From sleight of hand to pop songs, Garcimore est mort offers us a reflection on the power of beliefs and manipulation, and tries to deploy an ode to degrowth.
With La Grotte, Clément Papachristou built on a double narration that humorously leads to a junction point where the question of art joins that of collective memory.
