There is an intelligent sense of presence, of joy. And here too, there is theatrical play. Joy in playfulness, and a palpable presence. The audience was happy to be there, something is shared with them, making a true moment of theatre in the here and now.

Isabelle Plumhans, La conspiration des planches, Radio Campus, 01.10.2025

The offering is bright, astonishingly bold, and full of humour. The audience follows along Vincent’s dreadful path, as in this parallel world he succeeds in overturning all the forbidden things encountered. (…) He reaches purgatory, and he asks the audience to judge him, not on his disability, but on his very own story. And this is very fine indeed. 

François Caudron, Festival des Libertés : "Justices" de Clément Papachristou au Théâtre National, RTBF Auvio, 06.10.2025

Justices is a hybrid. At once a fantasy, a realistic and a dreamy work, Justices presents a sequence of vibrant scenes, with multiple and intensely creative inspirations.

Louis Thiébaut, "Justices" au Théâtre National : une divine comédie pour rendre visible l'invisible, RTBF Actus, 02.10.2025

It’s punk, it’s mad, it's amusing and it's poignant. It’s unique theatre of its kind, which manages to enwrap the audience (...) but also makes some waves, waking up those who’ve had enough.

Catherine Makereel, Vincent, porteur de trisomie 21 : « A force d’être surprotégé, on n’existe plus, on est mort » ****, Le Soir, 02.10.2025

For Edouardo della Faille, without culture there is only sadness… but being without love is perhaps even worse.

Sophie Soukias, Edouardo della Faille, artiste protéiforme : "Rien n'est plus beau que l'amour d'une mère", BRUZZ, 29.09.2025

Every situation requires reflection, in a constant search for the balance between well-being and professionalism.

- Propos de Anne de Molina, mère d'Edouardo della Faille 
Créahm Bruxelles, Justices → un spectacle, une famille, Créahm Bruxelles, 19.09.2025