Aurore Fattier takes hold of Ibsen’s classic and offers a contemporary transposition coupled with a mise en abyme of the work.
Being both actors and narrators, the three characters fill this grating comedy with visions and archetypes.
In a stripped-down aesthetic, Samantha van Wissen comments, paraphrases, documents and dances Giselle.
In a workshop or film studio setting, Cyril Teste offers a sophisticated, hybrid scenic device, which poetically mixes live performance with sequence shots projected on video.
L’après-midi d’un foehn Version 1 invites us to wonder, before what is impalpable and brilliantly tamed in a performance/installation, as if it were pieces of matter:
This timeless tableau of adolescence, as poisonous as it is dreamy, with saturated romanticism in a form of flamboyant camera, still dazzles.
