Observing reality and repor-ting on it is no longer enough. One must question what one sees. The photographs by Matthias Bruggmann (Elysée Prize 2016-2018) (…)
Vincent Hennebicq reveals the fate of this master of the art of controlling minds by appropriating some of Mr. Bernay’s own tricks. Demonsatration or prestidigitation, Propaganda! Examines the history of the 20th century.
Half thriller and half documentary, L’Attentat is adapted from the novel by Yasmina Khadra which follows the husband of a suicide bomber.
Tom Goosens immerses himself in the three operas that were the product of Mozart’s collaboration with Lorenzo Da Ponte. The director, with pianist Wouter Deltour, has proposed a new theatrical language by distancing himself from the classic form of the opera.
The Collectif Greta Koetz invite us to a meal among friends, which turns into something altogether more sinister when Thomas makes a request both terrible and incongruous.
Thomas Ostermeier’s adaptation of Edward Louis’ novel, Histoire de la violence. Edouard and Reda hook up, but their night of passion becomes a nightmare.
“I was a child in the world of the powerful. / I was frightened of oysters and looked at guardsmen distrustfully. / I am not bound to it by even the tiniest (…)
The motif of the wind rose is the characteristic element of the show, its point of departure. It’s the origin of many trips, many trajectories, but also of (…)
