The motif of the wind rose is the characteristic element of the show, its point of departure. It’s the origin of many trips, many trajectories, but also of (…)
Observing reality and repor-ting on it is no longer enough. One must question what one sees. The photographs by Matthias Bruggmann (Elysée Prize 2016-2018) (…)
The Collectif Greta Koetz invite us to a meal among friends, which turns into something altogether more sinister when Thomas makes a request both terrible and incongruous.
Seven dancers push and shove each other, twirl around each other. They invite us to experience their unbridled quest for harmony through a physical game of corporeal construction.
Why do men go to war? And what can woman do to stop them, if anything? Sahand Sahebdivan, born in Iran, and Raphael Rodan, raised in Israel ponder this question in a moving but also funny one on one encounter.
"Le Chant des ruines" turns an inquiring gaze to our society in perpetual transformation. The contrasting images, of great intensity, portray our relation to the world, questioning it while keeping our distance, the necessary derision and humour to not lose all hope.
