Here, resistance dances in the heart of the lianas, at once a unity and a multiplicity, head-to-head with the deforestation threatening the native peoples of Central Africa.
The rain falling, a sudden flood, lives overturned. Camille no longer speaks, since the time the water carried everything away: her home, her memories... and her dog, Larry.
If he were born in 1982, instead of in 1182, whom would he meet along the way? And what crib scene would he create in the supermarket parking lot, among the rubbish bins?
On the stage stands an imaginary wall, a symbol of ancient separations and scars. Windows open onto memories, fragments of history.
In this new creation, Disanka connects the history of Congo with that of his mother in the form of a kasala – a sort of eulogy in the Kasai culture, to which his mother belonged.
