Scènes nouvelles helps to highlight and to share what irrigates emerging French-speaking Belgian creation: strong, radical hybridization.
It is on a miniature scale that the magic happens, everyone observes this world from their own perspective as it evolves a few centimeters from their face.
With La Grotte, Clément Papachristou built on a double narration that humorously leads to a junction point where the question of art joins that of collective memory.
Between the sharp, metallic sounds close to the glitch aesthetic, Soa Ratsifandrihana dances and invites us to listen.
From sleight of hand to pop songs, Garcimore est mort offers us a reflection on the power of beliefs and manipulation, and tries to deploy an ode to degrowth.
