It is surrounded by the National Theatre team that Pierre Thys, General and Artistic Director, will present the complete program and the main lines of the 2026·2027 season.
Twice a month, Maison Gertrude, an art center within a care home, opens its doors and invites you to discover its collection of artworks created in situ. (…)
A car, stopped in the middle of nowhere. Inside are Clara and her brother Félix, separated for twenty years, and now together again after a night of celebration and dancing.
The new version of Maison Chaos really brings out the full power of this gripping text!
In a single, powerful performance, a woman revisits her life story and transforms the hardships she has endured into a theatrical piece.
Postmenopausal women speak out. An intimate chorus on a subject that has yet to be fully explored by the theatre.
Why is art penetrating into the care sector more and more? How do cultural institutions find themselves questioning vulnerability?
An overview of urban dance styles: breakdancing, house, Afro, electro, krump, juggling and more, all engaging in dialogue and facing off within a shared collective energy.
A life spent almost entirely in a state of confinement. Since childhood, Loutfi, aged 44, has gone from one institution to another
The festival continues its vital work of highlighting Black and Afro-descendant artistic initiatives in Brussels.
Eline Schumacher transforms Shakespeare’s masterpiece into an explosive celebration, a pretext for the blossoming of a new folklore.
Verona Beach, a district of Los Angeles, is the scene of a bitter feud between two rival families: the Montagues and the Capulets.
After three years of touring Europe, this is a rare opportunity to rediscover the subtle and warm rapport between Clément and Guillaume Papachristou.
How do we perceive the world through our skin? Lucie Yerlès and her team present a rich sensory experience that blends circus, theatre and dance.
Here, Florence Minder demonstrates her talent for creating comforting, poetic worlds.
What remains of a performance once the final applause has died away?
Belgo-Kabyle-Greek artist Agathe Yamina Meziani sets out to explore a territory that is at once close and distant: Kabylia, her father’s homeland.
The extraordinary story of three African American scientists who helped the United States take the lead in the space race.
In the face of the world’s rapidly growing fascist tendencies, Rébecca Chaillon breathes new life into our imagination with a science-fiction fable in which survival goes hand in hand with magic.
A theatre and dance festival for young audiences where children, teenagers, parents and grandparents can discover (or rediscover) the performing arts.
Junior Mthombeni and Michael De Cock orchestrate a brilliant adaptation of London-based Inua Ellams’ hit play about contemporary black masculinities.
A delightfully irreverent take on Feydeau, transformed into a queer cabaret. A vibrant and masterful Franco-Belgian cast.
A film as inspiration, a rigorous approach, an artistic risk.
Anne Teresa De Keersmaeker returns to American minimalism, turning for the first time to Philip Glass’s early works.
Tatiana Frolova continues to create poignant theatre of dissent, which is both understated and deeply political.
Following on from Mawda, ça veut dire tendresse, Marie-Aurore d’Awans has adapted Mohamed Mbougar Sarr’s novel, driven by her deep commitment to supporting people in exile.
The concept can be summed up in a few words: at every performance, an actor or actress takes to the stage without having read the script, without prior rehearsal and without knowing what to expect.
When his wife leaves him, Nader hires a caregiver to look after his sick father.
Gurshad Shaheman welcomes us, just as one would welcome guests into one’s own home, for an evening of life stories that is deeply moving and full of insight.
A raw, unflinching take on Hamlet in a contemporary, unsettling and bloody reinterpretation. Winner of the 2025 Maeterlinck Award for Best Production.
The body, the circus, the feats, life moving forward – and leaving its mark along the way. Talk Show reveals the moving life stories of circus performers.
Swords in hand, two women fight tooth and nail to defend their boat in an adventure-packed spectacle brimming with energy.
Adapted from Gaël Faye’s wonderful novel Petit pays, Gahugu Gato chooses to perform the text in its original language so as to anchor it in the reality of Rwanda today.
A leading figure on the Rwandan cultural scene, the writer Dorcy Rugamba offers us a deeply moving account, conveyed by a voice of rare intensity.
An exceptional evening, a double bill, featuring two leading figures from the contemporary dance scene, united by a shared commitment to structural rigour.
Aminata asked why it’s so hard to talk about racism with white friends. Adeline asked if she wanted a well-thought-out answer or if she’d rather we figure it out together.
The internationally acclaimed Australian company, led by neurodivergent artists, presents its latest production.
